the twelve artists taking part are:
RICHARD ALLMAN, BETHAN CRANE, DAVID GAMBLIN, JANE JONES, STEPH NORGAARD,
JO ROWLAND, CHRISSIE RUSSELL, VIV SCREECH, MARIANNE STURTRIDGE, BERYL UNDERWOOD,
CHRIS WARING & ROSALIE WYATT.
RICHARD ALLMAN, BETHAN CRANE, DAVID GAMBLIN, JANE JONES, STEPH NORGAARD,
JO ROWLAND, CHRISSIE RUSSELL, VIV SCREECH, MARIANNE STURTRIDGE, BERYL UNDERWOOD,
CHRIS WARING & ROSALIE WYATT.
Rosalie Wyatt explains...
"Journeys are in time as well as space, not static destinations but a process. it has been fun unwrapping this idea and working towards the Ashtorre exhibition. After some blind alleys i chose two important journeys I'd made, one routine and the other an adventure of a lifetime, still vivid after 48 years. Other images relate to other people's searches, and a dream."
"Journeys are in time as well as space, not static destinations but a process. it has been fun unwrapping this idea and working towards the Ashtorre exhibition. After some blind alleys i chose two important journeys I'd made, one routine and the other an adventure of a lifetime, still vivid after 48 years. Other images relate to other people's searches, and a dream."
Chris Waring...
"Making works concerned with 'Journey' was always going to be either too restrictive or too free. I chose, like most people I think, to be very free and wide with my work. At first I made drawings and prints in stark black and white concerned with the landing of a small machine called "Philae" on a comet 300 million miles away. Just about the longest journey one could think of. They were fun to do but ultimately unsatisfying.
So to give myself more scope I fell back on making work that could be associated with a journey but were really about my own experimental journey into making images that pleased me. That gave me scope to do anything that I fancied on a whim. Painting, printing and drawing as the mood took me."
"Making works concerned with 'Journey' was always going to be either too restrictive or too free. I chose, like most people I think, to be very free and wide with my work. At first I made drawings and prints in stark black and white concerned with the landing of a small machine called "Philae" on a comet 300 million miles away. Just about the longest journey one could think of. They were fun to do but ultimately unsatisfying.
So to give myself more scope I fell back on making work that could be associated with a journey but were really about my own experimental journey into making images that pleased me. That gave me scope to do anything that I fancied on a whim. Painting, printing and drawing as the mood took me."
| Steph Norgaard... "Working very hard in the workshop. Trying to put down ideas that bubble into my mind.....The starting point was an exciting title. I used to paint but then stopped after some harsh critic at art college. So my journey is to pick up the paint brushes and explore the medium again." |  |
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